Tuesday, September 27, 2011

The Evolution of Dance: Part One

I, like millions of other little girls, grew up dreaming of being a prima ballerina. I wanted to dance so badly I could taste it. As soon as I was able, I began checking out the same three books about ballet from the library over and over and over, poring over each page, each photo, each dance step tutorial. My favorite was about a deaf girl who danced, keeping the beat of the music by feeling the vibrations through the floor. I kept reading, and soon I had every position memorized and practiced, knew that my toes were well-constructed for one day going en pointe, and began using my dresser as a ballet barre. I begged my parents to send me to lessons – reasoning it was only fair that I take ballet, as my brother took baseball and we should each be allowed to have one extracurricular hobby.

I loved everything about ballet: the dancers’ strong, long limbs; their high, tight chignons; the grand pianos in the practice rooms; their romantic performance skirts; their utter fanaticism – skipping high school to study dance, shipping their preadolescent selves off to Russia to become the very best at a dying art, eschewing the pubescent party scene to practice plies and pirouettes.

Little did I know that while Little League is nearly free, ballet lessons are expensive. I took a single year of classes before my parents gave up the budgetary ghost, during which I learned many useful facts:
  • Pirouetting to the left is harder than to the right
  • Tights + leg hair = itchy
  • I am more flexible than the average person, but not more flexible than the average ballerina
  • I have a perfect point
  • If part of your Halloween costume as Pippi Longstocking involves wire hangers in your braids, and you don’t have time to change before class, your braids will scrape the wall during your barre work, and probably leave a mark
Via
The most important lesson I learned, though – imparted to me personally by Madame Instructor herself, a wizened old woman and an expedient disciplinarian – was that I simply did not have, and would never have, the “body type” of a real ballerina. It’s hard to fathom how the teacher could have possibly drawn any conclusions about my suitability for – or interest in – an adult career in professional dance based off of my 9-year-old body, but there you have it. And thus one of the many seeds of body hatred was sown in my innocent little mind. I was not thin enough, not rich enough, not good enough for the one thing I wanted more than anything else: to dance, dance, dance.

… to be continued

In order to lighten the mood after that depressing little tale (to be continued at a later date, I promise), here’s some darn good dancin’ muzak, which is very likely among the songs I was listening to right before I rocked the mic like a vandal and wrote this:



Appropriately schoolgirl-y, no? Interestingly, I had no idea this song was a) popular, and b) had a video until I tried looking it up for this post. I’m still not sure if the above is the “official” video or not, but the one about the underdog soccer team winning a game seemed a bit more appropriate for y’all than the one of the strung-out ladies mooning over men in suits while writhing in lingerie.

So, were there any evil grown-ups in your childhood life that tried to squash your dreams for no good reason? Did you ever wear a Halloween costume to ballet class (what was I thinking?! But how awesome is Pippi Longstocking? Answer: 12 on the 10-point awesomesauce scale.)? And do you remember a particular moment when your self-image (body- or otherwise) was thoroughly cemented in your wee childlike mind?

16 comments:

  1. Love the pippi ballerina idea.

    I had a guy in junior high tell me I had a big ass. I've never gotten over it, not even when I was modelling and was tiny.

    Funny, the crap that sticks to your baggage.

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  2. I've heard a similar story from several women friends who wanted early on to take ballet or gymnastics -- they were that they weren't the right "body type."

    I also have male friends who were passionate about sports like football and basketball and were also told they weren't the right body type -- not big enough or tall enough.

    The fact that my friends are mostly in their 50s and still talk about these incidents shows how long lasting the sting of rejection is.

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  3. vao - If ever there were memories in need of repression, it's those of junior high! I don't know of a single person who had a good time in middle school, although I'm sure they exist. Amazing the things you remember, right? If only our brains would hold onto the good instead of the bad.

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  4. jo(e): I hadn't even thought of other sports - ballet was my refuge from the world of "traditional" sports - it was the one place where I could be athletic without being violent, which is how I saw team sports at the time (too much Dodgeball in elementary school turned me off ball sports for life, I'm afraid). But I suppose all sports are exclusionary by nature, now that I think about it.

    The thing is, with children especially, it really ought to be about having fun and growing as a person, becoming comfortable with your body and learning what it can do, rather than segmenting youngsters into "proper" and "improper" shapes and sizes. Siiiiigh.

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  5. Menswear (at the suit-and-tie level of formality) has long been organized on two axes; chest measurement (numbers from the 30's to the 50's) and height (short, regular, tall.) When I was about 10 I had to be fitted for a blazer at an old-fashioned New york store, now deservedly dead, called Rogers Peet--it was sort of a Brooks Brothers wannabe, the way the Herald Tribune was an envious littermate of the Times. Men's clothing stores in those days employed tailors who would come and measure a suit on the customer in order to make alterations--hem the pants, take in the jacket side seams etc. This particular tailor, wileding his chalk on me, called out--loud enough to be heard all over the store, it seemed to me--"He's a Short Portly." I was, as a matter of fact--when I was 14 I gained five inches in height without getting any heavier, and that was the end of that. But it was humiliating when it happened.

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  6. I tried ballet as a kid and was told I was too clumsy. (True!) I also did gymnastics but quit after breaking my left wrist. Good thing I didn't continue with either, as puberty would have made me far too curvy/top-heavy for either. My nia teacher was very sad for me when I told her about the ballet rejection, but oddly, I hadn't been very sad. I'd never wanted to be a ballerina, just know how to dance. It probably helped that I didn't attend a school that had sports until 10th grade, was not athletically inclined or competitive, and had my sights set on being a professional academic. Oh well.

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  7. John: I had a similar experience with a personal shopper at a Nordstrom’s at the tender age of 12, later on while getting fitted for a bridesmaid dress, and then again while trying to buy more ballet gear in college. The problem is not in the verbiage, it’s in the connotations – to a tailor, short portly is just a measurement, but to the person who is being called short/portly, it’s a cutting insult because of course menfolk are supposed to be tall and muscular, and women are supposed to be little waifs – no matter how waif-like (or tall/muscular) you actually are, there’s always room for more blows to the ol’ self-esteem.

    Deena: And look at you now, you are a professional academic! Although I’m beginning to think ballet teachers have sadistic tendencies. Aren’t ALL kids clumsy? The point of physical education is to teach them coordination, among other things, right? Sheesh. I have never been terribly competitive, but I really like being good at physical things, and even though I’m pretty sure I’m not as good at most kinesthetic stuff as other people, when I compete against myself, it’s really gratifying to improve. Even if it takes a really, really long time. Which is why I loved ballet and why I now love running (but have never, and probably will never, run a race). What’s nia again? I feel as if we’ve talked about that before…

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  8. I have been studying ballet in america all of my life with american's who have studied with historic figures in ballet since the 50's. I am by no means a member of ABT, but my mentor's are a part this history and have given me a sense of artistic integrity and internal purpose. Ballet and body image? Are there obese tennis players? Maybe? People with body image disorders come from all walks of life. I agree that any type of dance may concentrate on body image... Hey, body image disorders can come from ANY activity if your child is predisposed. Should you rethink tee-ball? Get your kid away from feeling bad. I never had the perfect body, but I was taught how to move in my body and feel good about it. I learned creative movement, then technique, how to move within technique, how to create within my technique, and eventually how to teach and feel comfortable with myself. Before you make statements and post/write articles about art perhaps you should reevaluate where you send your child to learn this "art".

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  9. I was at a pre-professional ballet school, and a new director took over when I was around 15. The first thing she did (before even seeing us dance) was line up the whole class and tell us how much weight to lose by the end of the year. She was more extreme than any other teacher I've had, but that sort of thinking is deeply ingrained into ballet culture. Dancers are judged on weight, but also their feet, flexibility, height, turnout, whether their knees hyper-extend, technique, grace, etc. Most of that can only be changed within the body's natural limits, but there's a feeling that the weight is something you really can control.

    There are subtle things changing, though. Gillian Murphy, one of the principal dancers with ABT, has 'bad' feet. Muriel Maffre, from the San Francisco Ballet, is 'tall'. Alonzo King's dancers are 'bulky'. But they're all beautiful dancers, and people appreciate them for their abilities beyond those 'limitations'. I think when choreographers and directors begin to realize that they can choose a dancer a bit out of the ordinary and receive positive feedback, they'll be willing to open the companies up a bit. Hopefully those subtle changes will happen for weight, too.

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  10. I got the same from a ballet teacher. Puzzling prescience, because at the time I WAS skinny with long legs.

    More formative -- my dad telling me, you have a runner's body. light and fast. I was maybe 9, so he really had no reason to believe my body would STAY that way. It hasn't: what's lingered has been the idea that while it may be fine for some people to not be skinny, it's unacceptable for me, because that isn't my "natural" (nine-year-old? who knows) body type.

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  11. Holly: That is puzzling - it seems no matter what your body type, it's inevitable that someone, somewhere, will have something negative to say about it. Later in life, after a growth spurt and a combination of naturally losing baby fat and some seriously unhealthy food deprivation, I remember thinking "Ha! I've got the body type for ballet now, stupid teacher." Although, in the long run, given my food issues, I think it may have been best to have given up a sport so focused on thinnness anyway.

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  12. Nia: http://nianow.com/

    Portland is big into Nia. I was lucky to find a non-traditional teacher in Ann Arbor who was interested in using nia as a tool to help women feel good about/ in their bodies, so she wasn't very strict about following form and routine.

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  13. Why hello, one bazillion classes to take in Portland! I feel this Nia thing may be more conducive to my self-esteem than Zumba. Which I am terrible at. Adding Nia to list of things to do now!

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  14. I grew up hearing, from about the age of nine on, that I "could stand to lose some weight." That was my middle school identifier: not too chubby, but chubby and therefore solely defined by being chubby nonetheless. When I was a teen I plunged into a less-then-ideal weight loss regimen. Soon the very people who'd made comments on how I could stand to lose a few pounds were telling me to stop losing so much weight. There was no pleasing these people. 15 years later, it is still an issue, though muted. I'm far less concerned with 'pleasing' others with my body size/shape/proportions, but I still don't like having my picture taken. At. All.
    Ironically, one of the best 'body image' boosts I ever got was from my (ballet and belly dance) dance teacher in high school, who genuinely believed that everyone was meant to dance. The teacher can make all the difference.

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  15. Ms. PK: Clearly, this can only mean one thing: Time for more dance! You must join me in my kitchen dance parties. No one will judge you, except for maybe the cats.

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  16. Also: The same people who told me I could "stand to lose a few pounds"? Those were the ones complimenting me on how skinny I was in later years after going on psychotically unhealthy diets. It's a sick world out there, for sure.

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